James Orin Incandenza hovers in the novel's background like the ghost of Hamlet's father. At one point, he seems to become a literal ghost.
While still corporeal, he put out an oeuvre of avant-garde films (or cartridges). As Wallace describes his obscure legacy ...
While still corporeal, he put out an oeuvre of avant-garde films (or cartridges). As Wallace describes his obscure legacy ...
"...even the bastards in the avant-garde journels were complaining that even in his commercially entertaining stuff
Incandenza’s fatal Achilles’ heel was plot, that Incandenza’s efforts had no
sort of engaging plot, no movement that sucked you in and drew you along."
A description that obviously and equally applies to David Foster Wallace's stuff.
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