tag:blogger.com,1999:blog-61024601321021799762024-03-12T18:12:01.585-07:00Infinite FootnotesMarty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.comBlogger26125tag:blogger.com,1999:blog-6102460132102179976.post-559507000122685262020-01-11T19:12:00.001-08:002020-01-11T19:12:30.423-08:00Oswald the Lucky Rabbit<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrNsozo29u8K_tHzTHu9jeY1WnjQOHVjAsFa3QSSeZtjRjURYDfRmHvarh0wfMCDqAOgG8-Dpwmws5rXdax-m6MAsRnfVVUl1cGtAMpMdGLYuMEHzgTlOqXQ6AT2eo78lvd_nlLDMAAw/s1600/Oswald_Disney.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1524" data-original-width="1600" height="608" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrNsozo29u8K_tHzTHu9jeY1WnjQOHVjAsFa3QSSeZtjRjURYDfRmHvarh0wfMCDqAOgG8-Dpwmws5rXdax-m6MAsRnfVVUl1cGtAMpMdGLYuMEHzgTlOqXQ6AT2eo78lvd_nlLDMAAw/s640/Oswald_Disney.jpg" width="640" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><b>Oswald the Lucky Rabbit</b> (also known as Oswald the Rabbit or Oswald Rabbit) is an anthropomorphic cartoon rabbit created by Walt Disney and Ub Iwerks for Universal Pictures. He starred in several animated short films released from 1927 to 1938. </span><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Walt Disney Studio</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> </span><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">produced a</span><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"> </span><span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">total of 27 animated Oswald one-reelers. After Universal removed Disney Studio from the Oswald series, Walt Disney and Ub Iwerks created Mickey Mouse as an obvious substitute.</span>Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-89154266953401287502019-11-20T08:31:00.000-08:002019-11-21T13:09:57.684-08:00What fascism means to me<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">1968. I went to Sarasota Junior High School, which was basically <i>The Lord of the Flies </i>with lockers. I'm a scrawny, brainy, nerdy, big-mouth, 7th-grade weirdo. Walking down the halls. Look over at the bike rack. A beefy 8th-grader is fucking with my bike, trying to kick the lock off.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I'm pissed. So pissed, I forget the other his size and weight advantage. Just blindly run up to him.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"Hey! Stop trying to steal my bike!"</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Gut punch. Then he slaps me down to the ground, and sticks his foot on my face. Pins me. Says calmly ...</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"I wasn't trying to steal your bike."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"I saw you!"</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">I writhe, but I can't get up.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"No, you didn't. You're lying."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;">He pushed his foot harder. </span><span style="font-size: large;">Tennis shoe. Dirty. Stinks.</span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: large;"><br /></span></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"Stop lying."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"You were ..."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"Admit you're lying."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"No! You! I saw ..."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">He ground his fucking dirty foot in my face.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"I'm ..."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"Tell the truth."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"Stop!"</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">He pressed down. <i>Dirt, stink, weight.</i></span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><i><br /></i></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"Say, 'I'm a liar. I'm a shitty little liar.'"</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"No."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">Harder. About to snap my jaw.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"Say, 'I'm a liar. I'm a shitty little liar.'"</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">"I'm a liar. I'm a shitty little liar."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">He smiled and let me go.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: large;">That's what fascism means to me.</span><br />
<br />Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-9198951580095211732019-10-09T16:34:00.001-07:002020-06-09T19:44:44.342-07:00Joker, Smoker, Midnight Toker<!--[if gte mso 9]><xml>
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<!--StartFragment-->
<br />
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="font-family: "arial"; font-size: 18pt;">This is a movie about a damaged person's descent
into the abyss. It shares DNA with </span><i style="font-family: arial; font-size: 18pt;">Notes
from Underground </i><span style="font-family: "arial"; font-size: 18pt;">and </span><i style="font-family: arial; font-size: 18pt;">A Clockwork
Orange</i><span style="font-family: "arial"; font-size: 18pt;">.</span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">Joker makes <i style="mso-bidi-font-style: normal;">A
Clockwork Orange</i> look like <i style="mso-bidi-font-style: normal;">Singing in
the Rain.</i><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"><br />
The screenplay <strike>ripped-off</strike> owes a huge debt to Alan Moore’s <i style="mso-bidi-font-style: normal;">The
Killing Joke</i>. It also bends a knee to Scorsese’s <i>The King of Comedy</i> and <i>Taxi
Driver</i>. This Joker is pretty much Travis Bickel in clown makeup.<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">That’s ironic. White, black, it's doesn't matter. (At least in Todd Phillips' fictional universe.) He bends over backwards to make sure it doesn't matter.<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">(To be fair, the original Joker was the ultimate
white guy.)</span><span style="color: black; font-family: "arial"; font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"><br />
Christopher Nolan’s movie got it right. His Joker was a nihilistic
motherf**ker. His backstory kept changing. <i>“Wanna know how I got these scars?”</i>
Whatever he told you was bullshit. There’s no rational explanation for the Joker — and that's the best explanation.<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"><br />
Paul McCartney wrote a song about a roller coaster. The title of the song was
"Helter Skelter." Charlie Manson took it as a coded message to start
a race war. Which just goes to show there's no accounting for crazy
people. </span><span style="color: black; font-family: "arial"; font-size: 13.5pt;"><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"><br />
Aside from that one big flaw, there are also several minor flaws. </span><br />
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"><br /></span>
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">• Bruce Wayne’s dad is a
pudgy guy in his early 50s. Batman’s dad should look like Batman’s dad,
goddamnit.<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">• Phllips’ Joker isn’t funny. Damaged or not, he
should be funny — even if only in his own mind. I'd put in a hallucinatory scene where he was metaphorically killing the audience at the Pogo — then quickly flash to the reality where he bombed.</span><br />
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"><br /></span>
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">• The Joker character should fight to be normal. And fight to be funny. I'd put in a scene where he's reading a how-to book on stand-up comedy. "The secret of stand-up comedy? RELATING TO THE AUDIENCE. They have to care about you, and you have to care about them! Love works—hate works too! Either way, you gotta make a connection!"<br style="mso-special-character: line-break;" />
<!--[if !supportLineBreakNewLine]--><br style="mso-special-character: line-break;" />
<!--[endif]--><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">• The film sets you up to feel sorry for the Joker.
I don’t want to feel sorry for the Joker. But f**k my feelings — it's dishonest. <i>Society's what drove him crazy, I tells ya. Society is the real Joker. </i><o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">• The Joker’s loser persona is bad psychology.<o:p></o:p></span></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<br /></div>
<div style="margin-bottom: .0001pt; margin: 0in;">
<span style="color: black; font-family: "arial"; font-size: 18.0pt;">Yes, mass murderers and serial killers are often
losers. But many come off like kings who’ve been cheated of their thrones.
They’re charismatic, often handsome. Look at Charlie Manson. Look at Ted Bundy.
These cats don’t have a self-image problem. They think they’re better than everybody
else. The world doesn’t see it that way. That gives them a license to kill.<o:p></o:p></span><br />
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"><br /></span><span style="color: black; font-family: "arial"; font-size: 18pt;">• Phillips' Joker never decides to be the Joker. He never takes a conscious step into the dark side. </span><br />
<span style="color: black; font-family: "arial"; font-size: 18.0pt;"></span><br />
<span style="color: black; font-family: "arial"; font-size: 18pt;">I’m prejudiced in favor of free will. Maybe I’m wrong. Maybe we’re all meat robots. I can’t ignore the possibility.</span><br />
<span style="color: black; font-family: "arial"; font-size: 18pt;"><br /></span>
<span style="color: black; font-family: "arial"; font-size: 18pt;">• There's no fall from grace. (The movie tries to cheat this storypoint with blahblah about being off his meds and finding out he was adopted. It's a cheat.) This Joker is all Hyde and no Jekyll. The portrayal echoes Stephen King's criticism of Kubrick's adaptation of <i>The Shining. </i>The character starts out crazy. There's no place to go. </span><br />
<span style="color: black; font-family: "arial"; font-size: 18pt;"><br /></span>
<br />
<br /></div>
<!--EndFragment--><br />Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-39986732495007396982017-10-08T20:11:00.002-07:002017-10-08T20:24:17.072-07:00Dick Tales<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">More to it than that. PKD had a mystical experience in which the metaphysical source code unfolded. His "Exegesis" of that epiphany ran X typewritten pages.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">But this worldview saturates Dick's writing. The fake half-world of <i>Ubik</i>. Jory, feeding on souls with the grinding teeth of a sheep. The entropic kipple of his original "Do Androids Dream of Electric Sheep?" The fakes, simulacra, knockoffs, masks and cheap copies running through EVERY novel like the details of a massive Ponzi scheme. </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Gnosticism is the ultimate conspiracy theory. We're living in a fake reality. It's not the "Maya" of Hinduism. This ain't no illusion—it's a deliberate deception. A con. The store where you milk the rubes. The sheep pen where you convinve the trusting little bleaters you're the "Good Shepherd" until the day comes when you cut their throats, chop them to bits, roast and eat them, with a little mint jelly.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">This isn't the Borges airless NeoPlatonism. Dick's devils sink their teeth in you. We're living in a hell realm. Cannibalism is the rule. Or its polite disguise: exploitation.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">But a good screenwriter is never a passive conduit.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Decartes said reality can't be a dream. </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Because God (by definition) is good and he wouldn't f*** with us, QED. Gnosticism says "The entity you call 'God' is a pretender. He isn't good. And he's definitely f***ing with us."</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Decartes said reality can't be a dream. </span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Because God (by definition) is good and he wouldn't f*** with us, QED. Gnosticism says "The entity you call 'God' is a pretender. He isn't good. And he's definitely f***ing with us."</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span>
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"></span><br />
<div style="font-family: -webkit-standard;">
</div>
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<div style="margin: 0px;">
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><br /></span></div>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-24480065992425022992017-04-04T21:51:00.000-07:002017-04-04T21:54:18.488-07:00Finnegans Fall<span style="font-size: large;">After discussing the, er, erection of Finnegan's undeniably </span><span style="font-size: large;">phallic</span><span style="font-size: large;"> </span><span style="font-size: large;">Tower of Babel-esque skyscraper in the dawn of protohistory, the narrator explains why Finnegan fell --</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Heed! Heed ! It may half been a missfired brick, as some say, or it mought have been due to a collupsus of his back promises, as others looked at it. (There extand by now one thousand and one stories, all told, of the same). But so sore did abe ite ivvy’s holired abbles, (what with the wallhall’s horrors of rollsrights, carhacks, stonengens, kisstvanes, tramtrees, fargobawlers, autokinotons, hippohobbilies, streetfleets, tournintaxes, megaphoggs, circuses and wardsmoats and basilikerks and aeropagods and the hoyse and the jollybrool and the peeler in the coat and the mecklenburk bitch bite at his ear and the merlinburrow burrocks and his fore old porecourts, the bore the more, and his blightblack workingstacks at twelvepins a dozen and the noobibusses sleighding along Safetyfirst Street and the derryjellybies snooping around Tell-No-Tailors’ Corner and the fumes and the hopes and the strupithump of his ville’s indigenous romekeepers, homesweepers, domecreepers, thurum and thurum in fancymud murumd and all the uproor from all the aufroofs, a roof for may and a reef for hugh butt under his bridge suits tony) wan warning Phill filt tippling full. His howd feeled heavy, his hoddit did shake. (There was a wall of course in erection) Dimb! He stottered from the latter. Damb! he was dud. Dumb! Mastabatoom, mastabadtomm, when a mon merries his lute is all long. For whole the world to see.</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">It's a vision of dense complexity. City life, and its multitudinous technology was just too much for the poor guy.</span><br />
<div class="wpcnt" style="line-height: 0; text-align: center;">
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Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-4104687622845901022017-03-02T20:43:00.002-08:002017-03-02T21:00:31.093-08:00Cruise ControlINT, CREEPY PENTHOUSE APARTMENT.<br />
<i>Walls of glass reveal the grid of light and ambiguity of LA at night. An apartment very much like the Comedian's apartment in "The Watchmen." But, you know, different.</i><br />
<i><br /></i>
<i>The Bald Guy watches the Academy Awards credits roll on a wall-mounted flat screen TV. Then raises a remote -- and kills the TV.</i><br />
<i><br /></i>
<i>A smug look of satisfaction distorts his generic face.</i><br />
<i><br /></i>
<i>This cell phone rings. He whips it out.</i><br />
<br />
David! (<i>listens</i>) Oh definitely. The SPs will never come back from this. Every PTS in town will think twice. Hollywood is ours now! If Elron was alive he'd ... (<i>listens</i>) I feel the same way, David. (<i>beat</i>) You know I do. Nighty-night.<br />
<br />
<i>The Bald Guy ends the call, puts cell phone in his pocket.</i><br />
<i><br /></i>
<i>He smiles, stands up, and begins dancing ...</i><br />
<i><br /></i>
<i>And we see he's really ...</i><br />
<i><br /></i>
<i>Ohmygod he's really ....</i><br />
<i><br /></i>
<i>Agghhhhhhhh!</i><br />
<br />
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<br />Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-4477348815081522612017-02-28T14:18:00.002-08:002017-03-20T20:38:25.155-07:00Matt Damon<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="color: #121318; font-family: Helvetica;">Damon: (<i>whirling around</i>) F** you and your f**ing candy. (<i>grabs candy, randomly throws it</i>) That Oscar's mine, you f*** p***! I said I'd f***ing take it and I'm taking it! Any of you motherf**ing a**holes has a problem with that, you tell me to my f***ing face.</span><span style="font-family: Times;"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><br /></span></span></div>
<div class="MsoNormal">
<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">
<i>Sitting in the chair to Damon's left, Casey Afleck mumbles something.</i></span></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="color: #121318; font-family: Helvetica;">Damon: Man, I have no idea what you should just said.</span><span style="font-family: Times;"><o:p></o:p></span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-size: small;"><span style="color: #121318; font-family: Arial, Helvetica, sans-serif;"><br /></span></span>
<i><span style="font-family: Arial, Helvetica, sans-serif;">Marlee Maitlin supplies her input from the chair to Damon's right.</span></i></span></div>
<div class="MsoNormal">
<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><br /></span></span></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #121318;">Matlin: (</span><i style="color: #121318;">speaking and signing</i><span style="color: #121318;">) He says you can take the Oscar and shove it up ...</span></span><br />
<div class="MsoNormal">
<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><br /></span></span></div>
<div class="MsoNormal">
<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Damon: My ass. That's wicked funny, Casey.</span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><br /></span></span>
<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Casey: (<i>mumbles something</i>) </span></span></span></div>
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<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><br /></span></span></div>
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<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Tray Parker: (<i>OS -- mentally challenged voice</i>) Matt Damon.</span></span></div>
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<span style="color: #121318; font-family: Arial, Helvetica, sans-serif; font-size: small;">Damon: Not funny, Parker. Wasn't the first time.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="color: #121318; font-family: Helvetica;">Tray Parker: (</span><i style="color: #121318;">OS</i><span style="color: #121318; font-family: Helvetica;">) Matt Damon.</span></span></div>
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<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Damon: Parker. I swear to f*** Christ you say that one more time I'll f*** kill you.</span></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="color: #121318; font-family: Helvetica;">Tray Parker: (</span><i style="color: #121318;">OS </i><span style="color: #121318; font-family: Helvetica;">) Matt Damon.</span></span></div>
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<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;">Damon: Motherf***!</span></span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><br /></span></span>
<span style="color: #121318; font-family: Helvetica;"><span style="font-family: Arial, Helvetica, sans-serif; font-size: small;"><i>He leaps over chair.</i></span></span></span></div>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-22532981847357979982017-02-27T19:56:00.002-08:002017-02-27T19:56:38.504-08:00Pathetic apology<i style="font-family: '"arial"', '"helvetica"', sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Sorry about the FBI warning label, but I have to put it in. It's legally stipulated under Article 29 and the force majeur doctrine, though we all know saying it's "legal" won't save our collective ass if this goes sideways. Obviously, don't discuss this hot mess outside the need-to-know cell-structure. Don't tell your husband, wife, kids, friends, dog, or talk to yourself in the mirror. Playing dumb is the smart thing to do. And being smart is probably dumb. Something tells me Hamlet had a file on Claudius just like this. We all know what happened to him. I think we all know what we have to do, but analysis is so much easier. I know I'm being kinda wordy, but I hate the </span><span style="font-family: "arial" , "helvetica" , sans-serif;">drive</span><span style="font-family: "arial" , "helvetica" , sans-serif;"> home at night. A mere 17 miles from Langleuy to Silver Springs, but I never think I'll get there. OK, I'll shut up now. Just read this shit.</span></i>Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-5726904025712185482017-02-27T19:49:00.001-08:002017-02-27T19:50:55.287-08:00Warning<span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b style="font-family: -webkit-standard;">THIS MATERIAL DESIGNATED SECURITY LEVEL ULTRA. </b></span><b style="font-family: arial, helvetica, sans-serif;"><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; font-size: large;">UNAUTHORIZED ACCESS WILL RESULT IN SEVERE PENALTIES. </span></b><b style="font-family: '"arial"', '"helvetica"', sans-serif;"><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; font-size: large;">EYES ONLY.</span><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; font-size: large;"> DO NOT PRINT, COPY OR UPLOAD. </span></b><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;"><b style="font-family: -webkit-standard;"><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; font-size: large;">AVAILABLE CIA STANDALONE SERVER ONLY. IF YOU ARE READING THIS ON THE INTERNET, OR ANY OTHER DIGITAL DEVICE OR IN</span></b></span><b style="font-family: '"arial"', '"helvetica"', sans-serif;"><span style="font-family: "\22 arial\22 " , "\22 helvetica\22 " , sans-serif; font-size: large;"> PRINTED FORM, ACCESS IS UNAUTHORIZED. DESTROY DOCUMENT OR DEVICE AND REPORT TO CIA STATION CHIEF IMMEDIATELY.</span></b></span>Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-25631573848962540682017-01-21T13:00:00.001-08:002017-01-21T13:08:32.326-08:00Heaven or Someplace Like It<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="font-family: Trebuchet MS;"><span style="font-size: 13pt;">The show gives us glimpses of </span><span style="font-size: 17px;">the</span><span style="font-size: 13pt;"> afterlife, the </span><span style="font-size: 17px;">interlife</span><span style="font-size: 13pt;">, the region between, </span><span style="font-size: 17px;">or whatever the hell they call it.</span></span></div>
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<span style="font-family: Trebuchet MS;"><span style="font-size: 17px;">"Heaven"</span><span style="font-size: 13pt;"> doesn't resemble those Sunday School </span></span><span style="font-family: 'Trebuchet MS'; font-size: 17px;">picture book illustrations. No golden streets, pearly gates, or </span><span style="font-family: 'Trebuchet MS'; font-size: 17px;">angelic choirs hanging around on clouds and playing their harps.</span><span style="font-family: 'Trebuchet MS'; font-size: 17px;"> </span></div>
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<span style="font-family: Trebuchet MS;"><span style="font-size: 13pt;">In her interludes
between death and rebirth, </span><span style="font-size: 17px;">Prairie</span><span style="font-size: 13pt;"> pops into a three dimensional X-Y-Z grid of
light . This cordinate system divides the blackness of space. Tiny galaxies
drift by at infinitesimal scale. (and furiously accelerated time scale too. A
second = a million years, or thereabouts.) The galaxies float through </span><span style="font-size: 17px;">Prairie</span><span style="font-size: 13pt;"> and her Sprit guide. Which implies this is place is no place. It's more of
a user interface. An inter dimensional operating system,.</span></span></div>
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<span style="font-family: "Trebuchet MS"; font-size: 13.0pt; mso-bidi-font-family: "Trebuchet MS";">Did the angels build this place or do they
just work here? Who are they working for?<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Trebuchet MS"; font-size: 13.0pt; mso-bidi-font-family: "Trebuchet MS";">If there's somebody upstairs, they aren't
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<span style="font-family: "Trebuchet MS"; font-size: 13.0pt; mso-bidi-font-family: "Trebuchet MS";">This isn't so much a spiritual realm as a
physical realm in higher dimensions. More like the wormhole timey-wimey subway
system in Doctor Who, and It only looks like religion, folks. But it's really science. Quantum
physics and the something universe theory.<o:p></o:p></span></div>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-36134610113591392412016-08-14T07:20:00.001-07:002016-08-14T07:20:06.330-07:00Destry Rides Again<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikPfsemPxAbPWjX6rhdwN68S6XmSZm0-Fqk4BpiiuvossSoYQsptIDHHeshEBSzu6L5c44NOTCrcimPv6nckMgviMZUjq31fbbDzxiWCyvqby3HSMN9qoNtKQzQps13IMcsyZtC4ZCJw/s1600/Destry.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikPfsemPxAbPWjX6rhdwN68S6XmSZm0-Fqk4BpiiuvossSoYQsptIDHHeshEBSzu6L5c44NOTCrcimPv6nckMgviMZUjq31fbbDzxiWCyvqby3HSMN9qoNtKQzQps13IMcsyZtC4ZCJw/s320/Destry.jpg" width="213" /></a></div>
<span style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 13px; line-height: 16px;">The small town of Bottleneck is under the control of Kent (Brian Donlevy), a power-hungry boss who gets control over the local cattle ranchers by winning a rigged game of cards. When the local sheriff questions the legitimacy of the game, Kent has him killed and names the town drunk, Dimsdale (Charl</span><span class="_dgc" style="color: #222222; display: inline; font-family: arial, sans-serif; font-size: 13px; line-height: 16px;">es Winninger), as sheriff. What Kent doesn't know is that Dimsdale knows legendary lawman Tom Destry, who in turns sends his daring son Tom Destry Jr. (James Stewart) to Bottleneck to save the day.</span><br />
<span class="_dgc" style="color: #222222; display: inline; font-family: arial, sans-serif; font-size: 13px; line-height: 16px;"><br /></span>
<span class="_dgc" style="color: #222222; display: inline; font-family: arial, sans-serif; font-size: 13px; line-height: 16px;">Although Destry wasn't black, Mel Brooks lifted a shitload of elements for "Blazing Saddles." </span>Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-9597986956386266622016-08-04T20:00:00.001-07:002016-08-04T20:00:29.407-07:00Whale's TaleOn a surface level, Moby Dick is about obsession. Referring to Melville's bigass novel, just to be clear. "Jaws" is basically "Moby Dick" with a shark substituting for a whale. Quint was dumped in the Pacific with the sailors of the Indianapolis. Most of his mates became shark food; Quint survived, and waged a vendetta against sharks -- the "Jaws" terrorizing Amity, specifically. Jaws ate him. Moby Dick ate Ahab's leg. Ahab launched a vendetta against the great white whale. With the exception of Ishmael, the crew wound up dead; Ahab wound up harpooned to the whale.<br />
On a deeper level, it's a mad little allegory about the Calvinistic clockwork universe. God is the mad watchmaker; if it's God will that a whale eats your leg, you should deal with it. It's entirely possible there's no watchmaker behind the mad machine. You should deal with that, too. Revenge against God and/or the universe is just plain stupid.<br />
The whale is other. Inhuman. Like the sentient ocean in Solaris, it can't be analyzed. It's also bigger than you are. You lost a leg? Too bad. You will not beat up the universe. You will not beat up God. Don't try.<br />
This is second hand knowledge, English major lore. I've read a seriously condensed edition with Kool illustration. I've seen boththe John Huston movie and the Mister Magoo adaptation. I've even read Ray Bradbury's script for the John Houston movie. Cool script. I've never actually read the original, unedited novel.<br />
<br />
Ron Howard. Wow. What a wasted opportunity.Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-5713917378851088332016-06-30T21:57:00.002-07:002016-06-30T22:19:17.219-07:00Marais: Street Art<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5SyoUMf_bJtVXrnyamyOWODHzTDi3E9SROA4MaSvzGlaWs-2J6Q-vF-A8uW80SlqIbSVQ_xfl7F_0d3_k0sThMR8xs1dMHHtm7rhleccuTzjCsTHmuga4lc-IuJ25XZN8UbBp7EdEJg/s1600/Paris-Konny-CROP.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5SyoUMf_bJtVXrnyamyOWODHzTDi3E9SROA4MaSvzGlaWs-2J6Q-vF-A8uW80SlqIbSVQ_xfl7F_0d3_k0sThMR8xs1dMHHtm7rhleccuTzjCsTHmuga4lc-IuJ25XZN8UbBp7EdEJg/s320/Paris-Konny-CROP.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Street art by Konny Steding</td></tr>
</tbody></table>
<b>Street Art.</b> Visual artists everywhere lack for
galleries. When artists in Paris have that problem, they say "No
problem," and put their stuff out on the street -- creating a changing
exhibition space out of mailboxes, lampposts and any other surface they
can find. Yes, I know, artists everywhere do that, but not to the sheer <i>density</i>
as they do in Paris. The walls are thick with multilayered expression:
cryptic stickers proclaiming "J'Existe," mocking distortions of street
signage, sad-eyed women crying bloody tears. That dolorous image is
ubiquitous in Le Marais -- high-speed brushwork on huge paper posters
signed <a data-mce-href="http://www.konnysteding.de/" href="http://www.konnysteding.de/">Konny</a>. <i>Who the heck is Konny?</i>
Well, in an unlikely chain of events, I wind up talking to Konny and
Jacques Halbert (our mutual neo-Dadaist friend) at an iron-wrought table
in a French pizza place. (I'd admired her art; suddenly I'm talking to
the actual artist. What are the odds?) So I grill her. <i>You've got a
fluid style, but the proportions are perfect. How do you do it? A pencil
under-sketch? Some kind of grid? Or is this all just brilliant
freehand?</i> Not willing to spill her secret, Konny pretends not to understand the question.<br />
<div class="separator" style="clear: both; text-align: center;">
</div>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-82450650656757865652016-06-30T21:22:00.002-07:002016-06-30T21:23:08.028-07:00St. Michael or MichelI wish I had taken his photo. We were sitting having an apertif at some
nondescript cafe in a residential hood of Montmarte. Champagne for me;
Heineken for him. Watching the world go by, which was mostly parents
taking their kids home from school. Young lovers met and kissed over a
glass and lit up cigarettes, a few ancients muttered in street as they
bent to check that glittering object, hoping for a lost centime. We
looked up to see a man standing in front of us. (He told u<span class="text_exposed_show">s,
eventually, he was 83 and had just come back from the doc who was
checking on his new hip.) He started talking and everything from his
mouth was gold, was silver, was pure. As happens during this magical
time in Paris--before le repas and after the chaos of the day (around 7
p.m.), we spent some time with <i>une verre</i> and a conversation (in broken
French on our side) that led far into fields we could wander for a long
time still. He was born in the Caribbean but moved to Paris in his young
20s. He was a musician--and eventually a sought-after music teacher.
Taught and played with some of jazz's greats. During the conversation, I
noted that, well, he seemed happy. Happy from a deep inside
place--despite old age and the hip, which made him obviously lame. I
asked him where that happiness came from and this is what he said:
"Happiness takes practice--like exercise. It's not just exercising the
smile. It has to come from deep inside--from the bones, the sinew, the
deep heart of who you are. It can be hard work!" And he laughed in that
deep Caribbean way. As he left, we asked his name. "Michel," he said.
And then he was off. Michel? Was he an ange? We had several visitations
like this with, of all things, mostly older men--each who reached out to
us offering words of wisdom and, almost, warning: Be happy!</span><br />
<br />
<span class="text_exposed_show"><br /></span>
<br />
<br />Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-31479510517006344982016-05-16T21:53:00.001-07:002016-05-16T21:53:23.106-07:00The Republic Fucks UpA more accurate subtitle. But far less commercial.Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-17076793111896230002016-05-14T14:18:00.001-07:002016-05-14T14:20:25.792-07:00Mechano Man<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: large;">Specifically, the mechano man crouched in the bowels of the search engine like the chess-playing dwarf inside the Mechanical Turk. The dwarf inside the machine! Or, in this case, the metaphoric, mechanical, chess-playing dwarf inside the massive, distributed, fuzzy-logic, pattern recognition system.</span>Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-53967275889189696462016-03-29T11:40:00.002-07:002016-03-29T11:40:23.526-07:00This mountain of a book is the result?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ_NLju6MX7f13b42TzvfFGwlKSziZCcLVFi0-B_8Fao44U9VoBLk_er3b9MDXdNVWCmuDg_3q6kckm82xFJ12XMeXNOXKDqIIpVjVzTwH2AiCRwcL6PVsK6PmetdtC2vYw54o0OCX1w/s1600/LamestConclusion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ_NLju6MX7f13b42TzvfFGwlKSziZCcLVFi0-B_8Fao44U9VoBLk_er3b9MDXdNVWCmuDg_3q6kckm82xFJ12XMeXNOXKDqIIpVjVzTwH2AiCRwcL6PVsK6PmetdtC2vYw54o0OCX1w/s320/LamestConclusion.jpg" width="320" /></a></div>
<br />Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-32641983116682329372016-03-29T11:12:00.001-07:002016-03-30T08:54:31.442-07:00Why kill your audience?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH4LR7NjLMrQJ_p4n8R8i7yf6Zw2YvS9Dz2jEpNL3BtDXgHb4uE2-mjuLOznSxYXrz_8ovcv-JzL5M82V7oR0TbuHyiSRPXrknKnkb6IqClWrzj5OHektlQODCn2cz3UW_lpTFHgXFvA/s1600/BillHicks.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiH4LR7NjLMrQJ_p4n8R8i7yf6Zw2YvS9Dz2jEpNL3BtDXgHb4uE2-mjuLOznSxYXrz_8ovcv-JzL5M82V7oR0TbuHyiSRPXrknKnkb6IqClWrzj5OHektlQODCn2cz3UW_lpTFHgXFvA/s320/BillHicks.jpg" width="215" /></a></div>
A question posed by the late comedian Bill Hicks in response to the accusation that Judas Priest had layered its albums with subliminal messages driving its fans to commit suicide. To quote:<br />
<br />
“You hear about these two kids, big fans of that band Judas Priest? They listened to the band then killed themselves....wow...two less gas station attendants in the world. What? I don't mean to be cruel but I don't think we lost a cure for cancer here. Trust me, there'll be no delay in the shuttle program because of this. But again, nobody asked the question that I wanted asking at the trial. There are these subliminal messages, backwards messages on the album, OK? Here’s the question that did not get asked in this retarded case: What performer wants their audience dead? What are these guys in the band doing?”<br />
<i><br /></i>
<i>Hicks shifts to working class British accent.</i><br />
<br />
“You know, dude, I'm fucking sick of this. I am fucking sick of it. I'm sick of the touring. I'm sick of making 400,000 dollars a fucking night. I'm sick of the free drugs, the free booze, the groupies blowing me to fucking dawn every night, I'm in a rut and I want out.”<br />
<br />
“We got all those concerts coming up, man.”<br />
<br />
“I know, it sucks. Unless... Ian, Nigel, come here. I just had a fucking idea, man. What if, Ian ... Let's just say, what if....now open your mind real wide now. What if we kill the fucking audience? Could I go back to my day job? I could sell shoes again!”Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-62028541857291586092016-03-24T06:00:00.000-07:002016-03-30T08:14:43.216-07:00James Orin Incandenza<!--[if gte mso 9]><xml>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">"...even the bastards in t<span style="font-family: "arial" , "helvetica" , sans-serif;">he avant-garde <span style="font-family: "arial" , "helvetica" , sans-serif;">journels were </span></span>complaining that even in his commercially entertaining stuff
Incandenza’s fatal Achilles’ heel was plot, that Incandenza’s efforts had no
sort of engaging plot, no movement that sucked you in and drew you along.<span style="font-family: "arial" , "helvetica" , sans-serif;">"</span></span></span></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 12pt; line-height: 115%;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">A description that<span style="font-family: "arial" , "helvetica" , sans-serif;"> obviously and equally applies to David Foster Wallace<span style="font-family: "arial" , "helvetica" , sans-serif;">'s stu<span style="font-family: "arial" , "helvetica" , sans-serif;">ff.</span></span></span> </span></span></span></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: 12pt; line-height: 115%;">
</span></span> </div>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-72265966948116700462016-02-27T10:40:00.005-08:002016-02-27T10:40:43.633-08:00Bathykolpian<span style="font-size: small;"><b><span class="mw-headline" id="Etymology">Etymology</span></b></span><br />
<span style="font-size: small;"><b><span class="mw-headline" id="Etymology"> </span></b>
</span><br />
<span style="font-size: small;">Derived from <span class="etyl"><a class="extiw" href="https://en.wikipedia.org/wiki/Ancient_Greek_language" title="w:Ancient Greek language">Ancient Greek</a></span> words <i class="polytonic mention" lang="grc"><a href="https://en.wiktionary.org/wiki/%CE%B2%CE%B1%CE%B8%CF%8D%CF%82#Ancient_Greek" title="βαθύς">βαθύς</a></i> (<span class="tr mention-tr" lang="">bathús</span>, <span class="mention-gloss-double-quote">“</span><span class="mention-gloss">deep</span><span class="mention-gloss-double-quote">”</span>) and <i class="polytonic mention" lang="grc"><a href="https://en.wiktionary.org/wiki/%CE%BA%CF%8C%CE%BB%CF%80%CE%BF%CF%82#Ancient_Greek" title="κόλπος">κόλπος</a></i> (<span class="tr mention-tr" lang="">kólpos</span>, <span class="mention-gloss-double-quote">“</span><span class="mention-gloss">bosom</span><span class="mention-gloss-double-quote">”</span>).</span><br />
<span style="font-size: small;">
</span><h3>
<span style="font-size: small;"><span class="mw-headline" id="Pronunciation">Pronunciation</span></span></h3>
<span style="font-size: small;">
</span><ul>
<li><span style="font-size: small;"><a href="https://en.wiktionary.org/wiki/Appendix:English_pronunciation" title="Appendix:English pronunciation">enPR</a>: <span class="AHD enPR">băth-i-kol-pē-en</span></span></li>
</ul>
<span style="font-size: small;">
</span><h3>
<span style="font-size: small;"><span class="mw-headline" id="Adjective">Adjective</span></span></h3>
<span style="font-size: small;">
</span><span style="font-size: small;"><strong class="Latn headword" lang="en">bathykolpian</strong> (<i><a href="https://en.wiktionary.org/wiki/Appendix:Glossary#comparable" title="Appendix:Glossary">comparative</a></i> <span class="form-of lang-en comparative-form-of"><b class="Latn" lang="en"><a href="https://en.wiktionary.org/wiki/more#English" title="more">more</a> bathykolpian</b></span>, <i><a href="https://en.wiktionary.org/wiki/Appendix:Glossary#comparable" title="Appendix:Glossary">superlative</a></i> <span class="form-of lang-en superlative-form-of"><b class="Latn" lang="en"><a href="https://en.wiktionary.org/wiki/most#English" title="most">most</a> bathykolpian</b></span>)</span><br />
<span style="font-size: small;">
</span><ol>
<li><span style="font-size: small;"><a href="https://en.wiktionary.org/wiki/deep" title="deep">deep</a>-<a href="https://en.wiktionary.org/wiki/bosom" title="bosom">bosomed</a>.</span></li>
<li><span style="font-size: small;"><a href="https://en.wiktionary.org/wiki/big" title="big">big</a>-<a href="https://en.wiktionary.org/wiki/breast" title="breast">breasted</a>.
</span>
<dl><dd><span style="font-size: small;"><i>"The bathykolpian Heré ... sent down Iris" - Oliver Wendell Holmes, "Autocrat of the Breakfast-Table" (1858)</i></span></dd></dl>
</li>
</ol>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-61065519429038759692016-02-27T10:10:00.002-08:002016-02-27T10:54:59.086-08:00Quentin Tarantino<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiey1B0S-7iTv45eO32j5sloPZ13wkBA_hlTlQRix03xC6SD5h4gu0dwTYczdcVaC470iqfbGbvTyem3XYGlPWze-Gc3-A7VXPzZEXDNeWF3pBnNdQM5K2clSFf1RRO1dew58MZQOURAg/s1600/TarantinoGun.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiey1B0S-7iTv45eO32j5sloPZ13wkBA_hlTlQRix03xC6SD5h4gu0dwTYczdcVaC470iqfbGbvTyem3XYGlPWze-Gc3-A7VXPzZEXDNeWF3pBnNdQM5K2clSFf1RRO1dew58MZQOURAg/s320/TarantinoGun.jpg" width="202" /></a>In the 1990s, Quentin Tarantino influenced a tremendous
growth in nonlinear films with <i>Reservoir Dogs</i> (1992) and <i>Pulp Fiction</i> (1994). Here's a helpful infographic: <a href="http://www.americaninfographic.com/post/99612516736/pulp-fiction-chronological-order-infographic">Pulp Fiction in Order.</a>Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-36130030977754349212016-02-27T09:35:00.003-08:002016-02-27T10:58:58.595-08:00Gravity's Rainbow vs. Infinite JestAnd now to address the big, shiny, somewhat phallic V-2 rocket in the room.<br />
<br />
Wallace wrote a big, funny post-modern book that skewers American civilization. So did Thomas Pynchon (c.f. <i>Gravity's Rainbow</i>). Aside from frequent parabola references, that's pretty much where the similarity ends.<br />
<i><br /></i>
<i>Gravity's Rainbow </i>is basically a pilgrimage. Pynchon's characters move from Point A to Point B.<br />
Infinite Jest is static. Wallace's characters are locked in their own skulls, islands unto themselves.<br />
<i><br /></i>
<i>Gravity's Rainbow </i>had some long strange trips, baby. When faced with <a href="http://www.theguardian.com/books/2015/apr/07/baddies-in-books-captain-blicero-gravitys-rainbow-thomas-pynchon">evil Nazi rocket scientists</a> and the death cult techno-conspiracy of Western Civilization, why not get high?<br />
<br />
<i>Gravity's Rainbow </i>thundered with the voice of the paranoid Author God.<i> Infinite Jest</i> doesn't. <br />
<br />
<br />
<i><br /></i>Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-8785017488308950792016-02-27T09:15:00.002-08:002016-02-27T10:53:09.009-08:00Anthony Burgess<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj6eakMM7qDqHgb1Xx9hkoWUre8vhdClNwIblxlUcQQtKfzvpvlPfWsD9tkMEvDmyjfzHpHhbEV-8rVIovaubZPdnAyuOaeib6QXQbkHWN0NnWMksuozpqJMDPCyYVJF6nCCDFqsiJsg/s1600/Burgess.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj6eakMM7qDqHgb1Xx9hkoWUre8vhdClNwIblxlUcQQtKfzvpvlPfWsD9tkMEvDmyjfzHpHhbEV-8rVIovaubZPdnAyuOaeib6QXQbkHWN0NnWMksuozpqJMDPCyYVJF6nCCDFqsiJsg/s400/Burgess.jpeg" width="400" /></a></div>
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</xml><![endif]-->Anthony Burgess (1917-1993) was a novelist, poet,
playwright, composer, linguist, translator and critic. He is best known for his
novel <i>A Clockwork Orange</i>, but altogether he wrote thirty-three novels,
twenty-five works of non-fiction, two volumes of autobiography, three
symphonies, more than 150 other musical works, reams of journalism and much
more. He was born in Manchester, England and grew up in Harpurhey
and Moss Side, went to school in Rusholme, and studied at Manchester University.
He lived in Malaya, Malta, Monaco, Italy and the US among other places, and
is still widely read all over the world.</div>
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<br /></div>
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In addition to cooking up the Indo-European tongue of <i>Quest for Fire</i> and the <i>nadsat </i>slang of <i>A Clockwork Orange</i>, this wordy wordsmith peppered his books with near-forgotten <i>slovos</i>. For example ...</div>
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<br /></div>
<div class="MsoNormal">
<i><a href="https://en.wiktionary.org/wiki/bathykolpian">Bathykolpian</a>.</i></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Said word pops up in his Malthusian SF novel, <i>The Wanting Seed. </i>To look it up, you used to have to crack open the unabridged Oxford English Dictionary or pay to use their website.<i> </i>It ain't in the<i> </i>collegiate dictionaries. But it is on Wiktionary.<br />
<br /></div>
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There's a bloody essay out there somewhere chock full of Burgess' words. But I couldn't find it. Bathykolpian will have to do.</div>
<div class="MsoNormal">
<br /></div>
<br />
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<br /></div>
<div class="MsoNormal">
</div>
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<br /></div>
<br />
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</div>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-75686587275333736562016-02-27T08:40:00.003-08:002016-02-27T08:40:56.897-08:00Involuted<div class="lr_dct_ent" data-hveid="28">
<div class="vk_ans" style="margin-bottom: 0;">
<span data-dobid="hdw">in·vo·lut·ed</span></div>
<div>
<div class="lr_dct_ent_ph">
<span class="lr_dct_ph"><span>ˌinvəˈl(y)o͞odəd</span>/</span></div>
<div>
<div class="lr_dct_sf_h">
<i><span>adjective</span></i></div>
<div class="xpdxpnd vk_gy" data-mh="-1">
<span>adjective: <b>involuted</b></span></div>
<ol class="lr_dct_sf_sens">
<li><div>
<div class="lr_dct_sf_sen vk_txt">
<div style="margin-left: 20px;">
<div class="_Jig" style="margin-left: -20px;">
<div data-dobid="dfn" style="display: inline;">
<span>complicated; abstruse.</span></div>
<span><div class="vk_gy">
"his involuted prose"</div>
<div class="vk_gy">
</div>
<div class="vk_gy">
It is a fucking word, OK? </div>
</span></div>
</div>
</div>
</div>
</li>
</ol>
</div>
</div>
</div>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0tag:blogger.com,1999:blog-6102460132102179976.post-66265709366826719682016-02-27T07:45:00.001-08:002016-02-27T07:45:12.895-08:00Interlace viewerA television-based home entertainment system, ubiquitous in the time the
novel is set, which plays copy-protected "cartridges" custom-ordered by
viewers, invented by <a href="http://infinitejest.wallacewiki.com/david-foster-wallace/index.php?title=L#.22Lace.22" title="L">Noreen Lace-Forché</a>
Marty Fugatehttp://www.blogger.com/profile/05077693961075517845noreply@blogger.com0